Photo Essay: Massimo Vitali – Short Stories

09-3211-“Cefalù-Orange-Yellow-Blue”-2008
Cefalù Orange Yellow Blue, 2008 © Massimo Vitali, courtesy Mazzoleni London Torino

22 March 2019 | Diane Smyth | British Journal of Photography

Massimo Vitali believes that “When you overshoot, you lose your balance” and his new book and exhibition are an exercise in restraint – including just 12 of his iconic images

For me the beach is the perfect place to observe people,” wrote Massimo Vitali on his blog back in July 2018. “In other words, we go to the beach to take pictures of people, not to take pictures of the beach. The beach is the most suitable place to observe human beings’ behavior, the existence of us human beings.

“How do people share the space on the beach, how are they staring at each other, or are they looking the other way? This is more important than geographical elements.”

His new series, Short Stories, features plenty of beach scenes, often shot in his native Italy.

Born in Como in 1944, Vitali studied photography at the London College of Printing and worked as a photojournalist in the 1960s and 70s before becoming a cinematographer for TV and film in the early 1980s.

He started to shoot large format photographs in 1993, finding fame with his work Beach Scenes in 1995.

He’s also shot crowds in other landscapes though, including in nightclubs, and the new portfolio includes these other social spaces as well as beach scenes.

06-0199-“Duplé-Paura-1”-1997
Duplé Paura 1, 1997 © Massimo Vitali, courtesy Mazzoleni London Torino

Vitali works selectively, shooting only one or two negatives at a time – on his blog he estimated he’s shot nearly 5000 negatives over the last two decades, for example, noting “for commercial photographers, it is a number they reach in two days”.

“If you include the cost of film, development, and contact printing, it will cost around €200 per sheet, so I will focus on it,” he added.

“I use both an 8×10 camera and an 11×14 camera. About two years ago, I started using a camera that uses a middle format digital pack. Digital does not cost much, but I still will not do much shooting. When you overshoot, you lose your balance.”

Similarly his new work, Short Stories – on show in London’s Mazzoleni gallery and soon to be published by Steidl – is a selection of just 12 images from his photography career, each taken from a different project.

“Each singular image depicts a significant moment for Vitali – the artist’s ‘short stories’ of a long and distinguished career,” reads the press.

www.massimovitali.com 

Massimo Vitali: Short Stories is on show from 12 April – 24 May 2019 at Mazzoleni, 27 Albemarle Street, London W1S 4HZ www.mazzoleniart.com 

Short Stories by Massimo Vitali is soon to be published by Steidl, priced €75 https://steidl.de/Books/Short-Stories-0004121525.html

05-0700-“Picnic-Allée”-2000
Picnic Allée, 2000 © Massimo Vitali, courtesy Mazzoleni London Torino

 

08-2806-“Catania-Under-the-Volcano”-2007
Catania Under the Volcano, 2007 © Massimo Vitali, courtesy Mazzoleni London Torino

 

Carcavelos_026
Carcavelos Pier, 2016 © Massimo Vitali, courtesy Mazzoleni London Torino

 

CalaLlosaSouth_304
Cala Llosa South, 2016 © Massimo Vitali, courtesy Mazzoleni London Torino

 

Original Link: Massimo Vitali: Short Stories

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